Archive for the ‘RPG Hub’ Category

the art of titan: the fighting fantasy world

Monday, April 22nd, 2013

I had Ian Livingstone and Steve Jackson’s Titan: The Fighting Fantasy World when I was a kid. If I may Grognardia for a minute, I have to say that I didn’t think much of it when I was a kid. For some reason I perceived it as a pretentious challenger to D&D’s dominance. Now I see that it’s a loving D&D pastiche, with orcs, elves, and D&D off-brand monsters like Tua-suo and Dvorgar. It’s not pretentious at all. It’s enthusiastic, and very charming. I’ve already stolen a few ideas for my D&D game.

One of the most charming things about the book is the art. Like the content of the book, most of it looks like it would be at home in an 80s TSR product. One of my favorites is this painting of the world’s fantasy metropolis, the City of Thieves:

Perhaps more useful in a game is this sideways map of a wizard’s tower. It’s presented as the home of a friendly wizard, and it isn’t immediately useful in that context. But as a dungeon it would be tops. It reminds me of Jeff Rients’s vertical dungeons. It looks like it would be great fun keying each one of these rooms – though it is a little linear, I’ll admit. And because it’s so detailed, you could actually simulate a character making a search check by having the player find an item – possibly folding or covering parts of the map so that only one floor could be searched at once.

It would also be a kick-ass tower to give to one of the PCs as their home base.

Finally, here’s a nice Russ Nicholson critter for your collection:

Why is that one guy pouring from his cup into another cup? Don’t goblins care about GERMS?

an early bad review of D&D

Thursday, April 18th, 2013
This entry is part 17 of 18 in the series New Schooler Reads OD&D

Issue #3 of the Strategic Review had this editorial from Gary Gygax:

EDITORIAL

Donald Featherstone once said in WARGAMER’S NEWSLETTER that he believed Arnold Hendrick’s chief talent and claim to fame lay in his “pinching” of Fletcher Pratt’s Naval Wargame – alluding in all likelihood to similarities between Mr. Pratt’s game and the set of rules for naval miniatures authored by Mr. Hendrick. I concurred with what was said in WARGAMER’S NEWSLETTER, and when the good Mr. Hendrick “reviewed” CHAINMAIL in a highly uncomplimentary manner I ignored what was written, for surely most hobbyists could be assumed to be able to read this “review” for what it was worth and in light of Mr. Hendrick’s talents otherwise. As an example of the comments he made regarding CHAINMAIL, the most amusing was his assertion that heavy cavalry was rated too high, imagine! In a period where the armored horseman dominated the field of battle, heavy horse are too strong! Anyway, the learned Mr. Hendrick subsequently “reviewed” DUNGEONS & DRAGONS, again in a very uncomplimentary manner – after all, he had gone so far as to play a game of
D&D as a Cleric, completely armed with such edged weapons as spear and arrows . . . Again, this so called “review” was so obviously inaccurate and biased that I ignored it completely, although numbers of letters and telephone calls from irate D&D fans who had read the comments and wished to let me know that the
“review” outraged them assured me that Mr. Hendrick would not escape totally unscathed. Eventually the magazine which retains Mr. Hendrick as a “reviewer” did print a contrary opinion – how could they ignore a counter-article written by Mr. James Oden, President of Heritage Models, Inc.? This brings me to the point
of this editorial. The axe that Mr. Hendrick has been grinding so loudly and long has been exposed.

Possibly in light of TSR’s success in publishing miniatures rules and games, Mr. Hendrick has decided to begin peddling a line of his own creations. If these creations are as well-thought out as his “reviews”, as learned and clever, they will be rare products indeed. However, being inclined towards fair play, I invite any readers who wish to submit reviews of any of these sets of rules, and as space permits we will publish as many as is possible. Note TSR is not having one of its writers or designers review the products of a competitor. If we receive several reviews for one set of rules we will publish that which is most thorough in our opinion, regardless of what its recommendation is, and as an editor’s note include the conclusions of any other reviews of the same work so as to give all opinions expressed to us from disinterested reviewers. After all, could one expect honest and fair reviews from a source directly connected with a competitor of the product being reviewed? Certainly not. As an author of rules and games I have refrained in the past from reviewing the work of other writers and designers for just this
reason. This policy will be continued in the pages of SR, despite less scrupulous methods employed in the magazine which carries Mr. Hendrick’s “reviews”. We will depend on you for product reviews, and when we plug our own staff it will be clearly labeled as an advertisement.

Gary Gygax

I believe this is the first recorded case of “Gygax spleen” directed at haters — we’ll see more of it over the years.

I don’t know about you, but reading this editorial made me want to read the original review!

I tracked down Arnold Hendrick’s review from this dragonsfoot thread. Not sure what publication it was originally in… The Courier? Someday I’d like to find it and see Mr. James Oden’s rebuttal.

Rules Review
BY ARNOLD HENDRICK

DUNGEONS & DRAGONS BY GARY GYGAX & DAVE ARNESON
three soft-cover volumes, totalling 112 pages, with five chart sheets, availible from Tactical Studies Rules, 542 Sage Street, Lake Geneva, W.I. 53147 for $10.00

Subtitled “Rules for Fantastic Medieval Wargames Campaigns Playable with Paper and Pencil and Miniature Figures,” these booklets attempt to outline a system for “playing” the kind of fantasy adventures one previously read about in paperpacks. The concept is remarkably interesting, since the same person interested in matching himself against Napoleon or Manstein might also find comparisons with Conan or John Carter enjoyable.

The “game” is played by various adventurers and a referee. The players, starting in near total ignorance, attempt to adventure in the wilderness around them, or in dungeons and underground chambers beneath them. The referee is informed of each action, and after consulting the maps he has made, the basic tables and information in the booklets, and his own imagination, gives the player a response. Those who rememeber Korn’s “Modern Warfare in Miniature” will see the parallel, although Korn’s rules were much more tightly constructed. Here, introductions are made into many possible areas of interest: finance, magic, fighting ability, language, and monsters of every type and description (from goblins, orcs, giants, and dragons to the more esoteric manticores, chimeras, wyverns, and the hollywood mummies, purple worms, green slime, grey ooze, and black pudding).

For personal combat, “Chainmail” is referred to, but the multiple-damage characteristics of characters in this game does not fit with the life-or-death struggle in “Chainmail”, and neither gives a clue for the effect of missile fire, save perhaps the firer’s normal ability is extended up to the range of the missile weapon, with restrictions and special options as allowed in the multi-figure section of the “Chainmail” rules. The resulting mess in interpretations is enough to tax the patience of most gamers to the extreme. Worse, personal combat is the area receiving the most attention, things go downhill from there.

Play in person is usually impossible, since the referee can only show the adventurer the terrain he is crossing at that instant, plus whatever is in his sight. Only large battles are suitable for the tabletop. The optimim solution seems to be play by phone, or when distances are too great, play by mail. For those without gasoline to visit their fellow wargamers, or without a car, Dungeons & Dragons can be very, very interesting indeed. For example, in a test adventure recently concluded, the Acolyte Dorn from the village of Thane ventured into the ruins of Takator, opting for an underground Dungeon adventure instead of an above-ground wilderness expedition. After finding numerous doors beyond his strength to move, he finally opened one that woke four ghouls, who charged him directly. The well-equipped Dorn (with mail, shield, spear and crossbow) was allowed to fire by the kindly referee, and then strike first with the spear. Being rather handy with weapons and things, Dorn neatly felled two of the ghouls, but was then touched by the third, a circumstance which petrified him, while the ghouls proceeded to kill him, thus turning Dorn into a ghoul. So much for the Acolyte Dorn. Better luck in the next life!

Beyond the problems involved in play (find an intrepid referee), the other discouraging factor is price. These booklets are roughly comparable to “The Courier” in physical quality, but at $3.50 each are priced rather high. Worse, all three are necessary. Graphics, considering the format, are decent, with some excellent illustrations, but some space could have been saved without compromising appearance.

In general, the concept and imagination involved is stunning. However, much more work, refinement, and especially regulation and simplification is necessary before the game is managable. The scope is just too grand, while the referee is expected to do too much in relation to the players. IF you need ideas to help you along into your own fantasy adventure games, these booklets will be of use; otherwise you ten dollars will be wasted. I do not suggest these to the average wargamer.

Gygax was mad because he felt his game was being attacked by a lesser game developer, and because he perceived a lack of ethics about Hendrick’s journalism, but let’s be fair: Hendrick’s review is not the biased screed I had been expecting. His understanding is as shallow, but perhaps not more so than most reviewers of most games. He doesn’t see that D&D is an entirely new type of game that can’t be judged by wargame standards; but that’s hardly surprising in 1974.

Here are some interesting points in Hendrick’s review:

“These booklets attempt to outline a system for “playing” the kind of fantasy adventures one previously read about in paperpacks. The concept is remarkably interesting, since the same person interested in matching himself against Napoleon or Manstein might also find comparisons with Conan or John Carter enjoyable.”

It’s so interesting how important the John Carter Martian novels were at the beginning of the hobby. Gygax himself wrote rules for Martian adventures (John Carter is level 13). Carter has really fallen off the map: he has nowhere the kind of name recognition of, say, Tarzan. The John Carter movie did nothing to change that.

“Vastly too much has been attempted in these booklets, with very little detail, explanations or procedures.” This is an entirely just description of the original D&D books. OD&D is the framework of a game. It’s pretty difficult to play without making a lot of interpretations on your own. In fact, it’s not really a game in the traditional sense: more of a set of guidelines for making games. Imagine if Clue came with vague instructions on drawing a map of an English manor, and instructions on making characters (“Appendix I: Forms of Address” “Appendix K: Colors”). OD&D is a game you have to unpack yourself over years of playing.

“The optimim solution seems to be play by phone, or when distances are too great, play by mail.”
I love the idea of Hendrick playing solo D&D over the phone with his spear-carrying cleric, while his referee moved figures around a detailed castle model (no doubt on a sand table). He really hadn’t made the mental switch from a wargaming table to a shared fantasy.

“The well-equipped Dorn (with mail, shield, spear and crossbow) was allowed to fire by the kindly referee, and then strike first with the spear.”
As Gygax sneered, Hendricks missed the section about cleric weapon restrictions. But fighting alone against four ghouls, he needed all the help he could get.

Hendrick does come off as hapless n00b in this review. I hope Gygax’s army of fanbois weren’t too tough on him.

By the way, Arnold Hendrick is actually a pretty interesting guy. After a little more work in boardgames and RPGs, he went into computer gaming. He worked on Sid Meier’s Pirates, one of my favorite games ever, and seems to have been a driving force behind its respect for period detail (perhaps because of his knowledge gained while “pinching” Fletcher Pratt’s Naval Wargame).

Hendrick also worked on Darklands, which I never played, but I remember thinking it looked awesome based on its ads in Dragon magazine. Darklands seems to have sunk under the weight of featuritis, some of driven by Hendrick’s interest in obsessively modeling period detail. (Gygax was luckier. His obsession with polearms didn’t drag down his entire game.)

Check out this interview from 2009.

Mayor of Newark attacked by vampire

Monday, April 15th, 2013

Maybe I’m late to the party, but I just learned about Cory Booker yesterday. He’s the Mayor of Newark. He saves people from burning buildings. He’s a blizzard hero. He regularly moves to the worst parts of Newark, to clean them up personally.

If he seems more like a D&D character than a regular Earth politician, that’s because he’s a 12th level human fighter.

That is, he had a 12th level fighter, back in January. This week:

Lost two levels! Musta run into a vampire or something. Hang in there, Cory! I know politics is tough, but don’t let the negative energy get you down!

Warriors of Synnibarr by Gary Gygax

Thursday, April 11th, 2013
This entry is part 15 of 18 in the series New Schooler Reads OD&D

Raven McCracken’s Synnibarr RPG takes a lot of criticism for – well, for a lot of valid reasons; but one of its poorer mechanics is this:

If “Fate” (the GM) doesn’t know how likely the players are to succeed at something, he should roll a d100. The result is the players’ chances of succeeding. A second roll is then made. If the second roll is LESS than the first roll, the players succeed.

It – almost – seems plausible until you think about it, right? But rolling a random difficulty threshold, and then rolling the same die against that threshold, is really always a 50% shot. You might as well play an RPG where you flip a coin every time anyone tries to do anything.

As this review of Synnibarr says:

“Fate [the GM] then makes a percentile die roll to determine whether the empty ship will be safe or not. The first roll is a 33. This indicates there is only a 33% chance of the boat remaining safe. Fate then rolls again. The resulting roll of 40 indicates that their ship won’t be there upon return. How and when the ship is lost is up to Fate.”

This is the stupidest thing that I’ve ever seen done within a role-playing game. Besides removing a potentially useful element from the adventure, it removes control from the GM and puts it into a pair of dice rolls; and they’re both entirely random. You could roll a 95% chance of being safe or a 5% chance of being safe, but it doesn’t matter, because there’s nobody at the switch; just a series of random encounters determined by blind idiot luck. It’s like Azathoth designed a role-playing game.

Agreed? Bad mechanic? Now check out these rules:

Missile Fire Procedure:
The firing player rolls two [d6] dice in sequence: The first is the number he must match or beat in order to score a hit, and it is modified by his status, weapon, the range, and so on. If the modified number is not matched or exceeded by the score of the second die the missile failed to hit its target.

This is from Warriors of Mars by Gygax and Blume, 1974. (I’ve also seen the same rule in a fairly recent edition of Pendragon.)

To be fair, one of the Warriors of Mars die rolls is modified by various factors. That doesn’t really change the issue, though. Rolling up a random target number on a d6 is no different than setting the target number to 3.5.

Warriors of Mars is from the very dawn of roleplaying, and Gygax would go on to create much better subsystems than this (and a few worse ones). Still, if you’re a rules hacker at all, it might be comforting to see that every RPG developer starts at level 1.

in praise of the funhouse dungeon

Monday, April 8th, 2013

A Dungeon Master’s Tale reminded me that “the dungeon is the mythic underworld; the sprawling underdark manufactured or discovered by the Ancients and now given over entirely to enigmatic and inscrutable things.” I’ve seen that mythic underworld phrase before but it resonated with me this time.

I usually try to make each of my dungeons a themed, well-justified, sensible little environment, where the whole tells a story. That’s a worthy goal, but perhaps there are some things that such a tidy dungeon can’t do. I’d like to run a mythic-underworld game, with dream logic and primal hooks from the subconscious and all that Joseph Campbell stuff.

I started to think how I’d make such a dungeon, and I realized that a bunch of good steps – hostile doors and darkness that thwart PC but not monsters, changing maps so that the dungeon is forever unknown – are all in the original OD&D books. I always balked at them because there was no good explanation for them. How’s this for an explanation: it’s the Mythic Underworld, or, to put it another way, it’s a horror movie down there. Dammit Gary! You beat me to all the cool ideas.

I do think there is a place for the sensible, well-curated dungeon, as opposed to a constant diet of funhouse-dungeon pie. To perhaps overthink it: all underground chambers start as sensible environments, but if left alone they eventually “go bad”: huge monsters spontaneously generate in rooms with tiny doors, strange altars emerge from the rock, passages connect to other dungeons. A complicated labyrinth under a palace might remain under its builders’ control for centuries as long as they patrol each part of it. But woe betide them if they forget about some locked broom closet for a few decades. It might turn into a stairway, leading down…

Rangers! An Exciting New D&D Class

Friday, April 5th, 2013

Strategic Review #2 featured the first appearance of the Ranger class, by Joe Fischer. I think it’s one of the few pieces of OD&D that Gygax didn’t have a hand in writing.

Gygax says: “Joe Fischer played in my group, and he did an article in THE STRATEGIC REVIEW introducing the Ranger Class for the D&D game. From that I built the AD&D version.”

Let’s compare the Strategic Review ranger with the PHB ranger to see how much building Gary had to do.

Alignment

From Strategic Review:
Rangers are a sub-class of Fighting Men, similar in many ways to the new sub-class Paladins, for they must always remain Lawful or lose all the benefits they gained (except, of course, experience as a fighter).

OD&D’s alignments were limited to Lawful, Neutral, and Chaotic, with Lawful often standing in for Good. In AD&D, where we had the full dual-axis alignment system, “All rangers must be of good alignment, although they can be lawful, chaotic, or neutral otherwise.” The main literary model of the ranger, Aragorn, is probably Lawful Good, so I guess he can play in OD&D and AD&D games.

Prerequisites

From Strategic Review:
Strength is their Prime Requisite, but they must also have both Intelligence and Wisdom scores of at least 12 each, and a Constitution of at least 15.

In AD&D, the prerequisites are changed to 13 Strength, intelligence 13, wisdom 13, and consitution 14. Both classes are pretty hard to qualify for, although not as hard as the AD&D paladin (whose stat prerequisites were so demanding that, paradoxically, anyone who claimed to have rolled up a paladin was by definition a liar and not worthy of paladin status).

Hit points

The Strategic Review Ranger got 2 Hit Dice at level 1, while everyone else got one (“either with the standard [d6] system or the alternate system which allows fighters 8-sided dice”). That’s what happens when you let a player design his own class: you get power creep. Oddly, when Gygax revised the class for AD&D, he let the ranger keep its weird bonus level die, but to balance it, he gave the ranger d8 Hit Dice while the other fighter classes got upgraded to d10s. It sort of balances out, but it gives rangers a big lump of HP at level 1.

Spells

The SR ranger got alternating levels of cleric and magic-user spells starting at level 8, so that a 13th-level ranger could cast level 3 cleric and level 3 magic-user spells. The AD&D ranger had a slightly slower progression, starting at level 8 and ending at level 17. Also, instead of cleric spells, the ranger got druid spells. That makes sense: druid spells didn’t exist when Joe Fischer first wrote the class, but they’re more woodsy and ranger-appropriate than cleric spells. I’m sure Joe Fischer approved.

Disadvantages

In older versions of D&D, mechanical bonuses were often balanced by role-playing and campaign-world restrictions.

From the Strategic Review:
Until they attain the 8th level (Ranger-Knight) characters in the Ranger class are relatively weak, for they have a number of restrictions placed upon them. These restrictions are:
– They may own only that which they can carry with them, and excess treasure or goods must be donated to a worthy cause.
– They may not hire any men-at-arms or other servants or aides of any kind whatsoever.
-Only two of the class may operate together.

The AD&D ranger kept most of these rules intact, except that “no more than three rangers may ever operate together” (emphasis mine). Did Gary end up with some D&D group where three players wanted to be rangers? Heaven help him.

XP Bonus

From the Strategic Review:
They receive no regular bonuses for advancement due to ability, but they automatically gain 4 experience points for every 3 earned.

OK, Joe, this is a bad rule. Granting an across-the-board 25% bonus to ranger XP is exactly the same as lowering the XP needed for each level, except it’s much more of a pain in the butt this way, since players have to fiddle with their XP every time they get it. Now if this rule were introduced into 3e, where every class uses the same advancement chart, it would actually mean something (and it would still be a bad rule).

Gygax, an experienced game developer, of course removed this rule in AD&D. He also lowered the XP needed for level advancement to compensate.

Tracking

From the Strategic Review:
They have the ability to track the path of most creatures when outdoors, and even in dungeons they are often able to follow:

There follows charts for the ranger’s ability to track in the dungeon and the wilderness – the dungeon subsystem is based on the d6 and the wilderness subsystem is based on percentile dice.

When Gygax reprinted the tracking subsystems in AD&D, he converted them both to percentile systems.

Surprise

From the Strategic Review:
Because of their ability to track Rangers also are difficult to surprise, requiring a roll of 1 instead of 1 or 2.

In AD&D, Gygax saw that, and raised it: “Rangers surprise opponents 50% of the time (d6, score 1 through 3) and are themselves surprised only 16 2/3 of the time (d6, score 1).

Damage Bonus

From the Strategic Review:
All Rangers gain a special advantage when fighting against monsters of the Giant Class (Kobolds – Giants). For each level they have gained they add +1 to their damage die against these creatures, so a 1st Level Ranger adds +1, a 2nd Level +2, and so on.

(I guess this is because Aragorn is really good at killing orcs?) Gygax kept this rule in AD&D. It’s especially good at low level because so many low-level D&D battles are against kobolds, goblins, orcs, and hobgoblins. That plus the 2d8 HP at level 1 make the ranger a low-level juggernaut.

Special Followers

From the Strategic Review:
-From 2-24 followers will join the character as soon as 9th level is
attained by him. These followers are detailed later.

[…later…]

Special Followers: For each of the 2-24 followers the Ranger gains
a dice roll must be made to determine what the follower is. Further
dice rolls to determine type, class, and/or level will also be necessary.

Type
01 – 60 Man
61 – 75 Elf or Half-Elf
76 – 90 Dwarf
91 – 99 2 Hobbits
00 Extraordinary (see below)

Class (Men Only)
01-50 Fighter
51-75 Cleric
75-95 Magic-User
95-00 Thief

Multi-Class (Elves Only)
01 – 50 Fighter
51 – 75 Fighter/Magic-User
76 – 90 Magic-User
91 -00 Fighter/Magic-User/Thief
Level of Ability (Roll for each)
01 – 50 2nd Level
51 – 65 3rd Level
66 – 80 4th Level
81 – 90 5th Level
91 – 99 6th Level
00 7th Level

Extraordinary Followers
01 – 20 Ranger, 3rd – 7th Level
21 – 40 Lawful Werebear
41 – 55 2 Unicorns
65 – 70 Pegasus
71 – 80 Hill Giant
81 – 90 Stone Giant
91 – 99 Golden Dragon
00 Take two rolls ignoring any 00%u2019s which might come up

A couple of things to note on the Extraordinary Followers table:

-2 Hobbits? Why do hobbits come in pairs? Well… there is some precedent, in Merry and Pippin… and Frodo and Sam… I withdraw my objection.

-2 unicorns?? Why do unicorns come in pairs? The second one is wasted, unless you plan to have them pull your coach. Or start a unicorn breeding program, I guess.

Unicorns are a symbol of all that is wild and unattainable. It just seems like a waste to have two of them. It’s like finding two philosopher’s stones.

-If you roll a 91-99 on the Extraordinary Followers chart, you get a GOLDEN DRAGON. How awesome is that. You’ll pretty much be the baddest ranger in the room (which isn’t saying much, since only 2 or 3 rangers may ever share a room).

The odds of getting a golden dragon aren’t very good: each follower has a 1 in 1000 chance of being a golden dragon. Rangers do get 2-24 followers, though, so the odds are actually better than 1 in 100.

The kinds of people who “honestly rolled up” a character good enough to be a ranger, though, probably ended up with 2 or 3 golden dragons.

interactive version of Random Dungeon Generator as a Dungeon Map

Tuesday, April 2nd, 2013

Now you can use the Random Dungeon Generator poster to construct dungeons online!

Click here!

This is a reward from the Random Dungeon kickstarter which I’m making available to everybody.

My ambition is to add a “Dungeon Robber” game mode so that this interactive version of the poster can be used as a fiendishly difficult roguelike. For now, though, players can use this as a First Edition DMG-compatible rooms/passages/monsters/traps generator for solitaire D&D and DMs can use this for designing dungeons.

the first grapple rules

Thursday, March 28th, 2013
This entry is part 16 of 18 in the series New Schooler Reads OD&D

A lot of ink has been spilled about D&D’s confusing Grapple rules. To refresh your memory, here are D&D’s first Grapple rules ever, which can be found inside a combat example in issue #2 of Strategic Review (1975):

Combat Example:

10 ORCS surprise a lone Hero wandering lost in the dungeons, but the die check reveals they are 30′ distant at the time of surprise, so they use their initiative to close to melee distance. lnitiative is now checked. The Hero scores a 3, plus 1 for his high dexterity, so it is counted 4. The Orcs score 6, and even a minus 1 for their lack of dexterity (optional) still allows them first attack. As they outnumber their opponent so heavily it is likely that they will try to overpower him rather than kill, so each hit they score will be counted as attempts to grapple the Hero:

– Assumed armor of the Hero: Chainmail & Shield — AC 4.

– Score required to hit AC 4 — 15 (by monsters with 1 hit die).

– Only 5 Orcs can attack, as they haven’t had time to surround.

Assume the following dice scores for the Orcs attacks:
Orc #1 – 06; #2 – 10; #3 – 18; #4 – 20; #5 – 03.

Two of the Orcs have grappled the Hero, and if his score with 4 dice is less than their score with 2 dice he has been pinned helplessly. If it is a tie they are struggling, with the Hero still on his feet, but he will be unable to defend himself with his weapon. If the Hero scores higher than the Orcs use the positive difference to throw off his attackers, i.e. the Hero scores 15 and the Orcs scored but 8, so the Hero has tossed both aside, stunning them for 7 turns between them.

– Round 2: lniative goes to the Hero.

– Score required to hit Orcs — 11 (4th level fighter vs. AC 6).

Assume the following dice score by the Hero. Note that he is allowed one attack for each of his combat levels as the ratio of one Orc vs. the Hero is 1:4, so this is treated as normal (non-fantastic) melee, as is any combat where the score of one side is a base 1 hit die or less.

Hero: 19; 01; 16; 09. Two out of four blows struck. There are 8 orcs which can be possibly hit. An 8-sided die is rolled to determine which have been struck. Assume a 3 and an 8 are rolled. Orcs #3 and #8 are diced for to determine their hit points, and they have 3 and 4 points respectively. Orc #3 takes 6 damage points and is killed. Orc #8 takes 1 damage point and is able to fight.

– All 7 surviving/non-stunned Orcs are now able to attack.

Continued attempts to overpower the Hero are assumed, and no less than 4 Orcs are able to attack the Hero from positions where his shield cannot be brought into play, so his AC is there considered 5, and those Orcs which attack from behind add +2 to their hit dice. In the case it is quite likely that the Orcs will capture the Hero.

Keep in mind that D&D was so new at that point that they were giving combat examples of things for which THEY HAD NOT WRITTEN THE RULES YET. The actual Grapple rules for which these are an example have, I believe, never been printed. You have to reverse-engineer the rules from the examples – kind of like learning a language via immersion.

I have to admit, I don’t speak OD&D very well. What’s going on here? The enemies all attack, and after everyone has attacked, you make a dice pool with 1d6 for every level of enemy who hit? and you roll that vs. a dice pool that has 1d6 for every level of the defender?

(By the way, the next time TSR printed Grapple rules was, I think, in the 1979 AD&D DMG and it’s MUCH MORE confusing. Lots of percentile modifiers based on what type of armor everyone is wearing, and special rules for rabbit punches and stuff.)

Here’s what Gary Gygax said in 2005 about the Strategic Review grapple rules:

We sometimes used the SR system in grappling melees, but most often the Dm simply weighed the situation and ajudicated without all that dice rolling. thus, eight orcs getting the jump on a 4th level fighter would be assumed to overpower him with some loss to themselves–d6 and another die roll for each KOed in the struggle, a score of 6 indicating killed in action.

The more complex system in AD&D was my error, mainly that of listening to those who wanted combat to be very detailed.

You are on target in regards the examples of low-level monsters seeking to come to grips with a strong PC. Eight orcs will likely be slain by a well-armored 4th level fighter unless they use their sheer numbers to overwhelm him.

I now have that happen when pack animals attack characters. Two wolves, dogs, or hyenas, for example, both successful in hitting the same target human (or humanoid), will knock him down and put him at a considerable disadvantage.

I do like the idea of a bunch of low-level guys being able to pull down heroes by sheer weight of numbers. It simulates fantasy and adventure literature. And it makes hordes of orcs dangerous at any level.

one difference between low- and high-level play

Monday, March 25th, 2013

In D&D in its purest form, what is the difference in play experience between a low- and high-level character?

There are a lot of play-experience differences that I don’t think are essential. For instance, in most editions, high-level combat has a tendency towards each round taking longer, each character having way more options, and more HP-ignoring attacks being made. But I’d be happy without those characteristics.

What else is there? High-level characters are more important in the story of the world? They have to deal with less logistical inconveniences?

Here’s an interesting statement from the 2e Dungeon Master’s Guide, in the section devoted to timekeeping:

At low levels, characters tend to go on short adventures. A few hours in the dungeon followed by a speedy return is about all they can survive. Therefore, it is easy to have a week’s interval within adventures, since the time passed does not impact on the characters’ activities. As characters reach higher levels, however, their ambitions grow and their adventures become longer.

This is a kind of interesting distinction between low- and high-level characters. In most editions, as characters level, each fight takes up a smaller and smaller proportion of the characters’ total HP. Therefore, higher-level characters can make it farther and farther into the wilderness before they need to return to home base.

As a level-based playstyle distinction, I don’t hate it.

It doesn’t 100% work, of course. At any level, a difficult fight might wipe out your HP and spells. Furthermore, characters quickly become self-sufficient. Characters who can generally recover their HP and spells in the wilderness have an effectively infinite range. Still, from level 1 to around level 5, there’s a nice increase in adventure scope.

If you wanted rules that pushed this further, what could you do? You might allow each character consecutive “roughing-it” nights equal to their level before they face difficulties from exposure and exhaustion. Thus, a first-level fighter can spend one night in a spooky haunted house, and then he needs to return to town. A thirtieth-level paladin can spend a full month in the Nine Hells, fighting to exhaustion every day, before she needs to return to the Prime Material Plane.

Alternatively, you can let economics take care of PCs’ increasing range. Besides being tougher, high-level characters are richer, and can afford horses and ships. If you’re faster than anything on the random encounter table, you can travel with ease.

jared, health, art

Wednesday, March 20th, 2013

Jared von Hindman, who’s a good guy, a good artist, and one of the talents behind my kickstarter, has been diagnosed with cancer. There isn’t an official help-Jared fund, like the terrific Help Ernie Gygax page (go there too!), but don’t worry, I’ve been thinking about how we can help.

For the kickstarter, I put up Jared’s amazing dungeon art on Zazzle (all profits to Jared). Now the deal is even better. It’s $50 for a set of 2 paintings (a map and an illustrated map key), of which Jared normally gets about half and Zazzle gets half. Instead of just getting the profits, Jared will now get 100% of what you spend. All this year, I’ll cover the Zazzle cut out of my own pocket, up to $5k. I’d love the total to get that high!

Here are 2 of the 10 paintings:

Coroner's Dungeon

And the map key:

Coroner's Dungeon key

More…

Buy a couple of these, pick up a couple of the Ernie Gygax eBay items, and you can be pretty proud of yourself today.